Reflections offers a space to share thoughts that arise alongside the work. These writings explore the relationship between meditation, creativity, and the natural world, the small observations, questions, and moments of insight that shape a life in art. Like the sculptures themselves, they emerge slowly through attention, practice, and a deep listening to the materials and landscapes that inspire them.
Touch, movement, and physical engagement with materials anchor awareness in the body, a foundational element of meditation.
Her process begins with deep listening, not just to thoughts, but to materials, the body, and the natural world. This attentive awareness mirrors a meditative state in which “attention softens” and something deeper begins to guide the work.
In her workshops and personal practice, meditation often precedes working with materials. This helps quiet the mind and bring the maker into presence before touching the clay or stone.
She does not separate meditation from creation. Instead, sculpting itself becomes meditation, a state where thinking recedes and sensing takes over. She describes this as a “conversation” with the work, guided by feeling rather than control.
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